Sarah Hammell in her Parlor, c. 1911

The photo of Sarah Hammell’s plate and pitcher collection in a recent post was, I thought, the only photo in the archives taken inside the Hammell home at 122 N Sherman. Surprise! Here is one more: Sarah Hammell in a rocking chair in her parlor (I suppose that is what this room would be called).

This poor photo is pretty beaten up, as you can see. Nevertheless it preserves a lot of detail from the parlor of the Hammell’s home. It looks like Sarah moved her head just slightly while the camera shutter was open, which blurred her face. Everything else is sharp, though.

This photo was taken after September 1910 because Mom’s (Florence’s) three-month photo (seen in this post) is displayed on the piano, behind the bell of the trumpet. Grandma and Grandpa’s (Addie and Arthur’s) wedding photo (seen in this post) is also on display, behind the other end of the trumpet.

The presence of the piano, the trumpet, the music on the music stand hint that music was important in the Hammell household. This should come as no surprise, since Grandma Addie was an accomplished pianist, and even taught piano for a time. John Hammell sang in the choir at the Presbyterian church. The trumpet may also be his.

The presence of two flower arrangements that look like they have seen better days (and one of them perched on the end of the piano keyboard) makes one wonder whether Sarah was recovering from some kind of illness when this photo was taken.

I don’t know anything about the layout of the house. Since the wallpaper on the walls in this room appears to match the wallpaper in the dining room where the plate collection was, the two rooms may be adjacent.

4 thoughts on “Sarah Hammell in her Parlor, c. 1911”

  1. Now I undeerstand why I gravitated to the trumpet (coronet) when it came tme to choose an instrument! Evocativee picture, Lloyd. Thanks.

  2. What are the two things that look like pieces of lace on tree branches? Thank you for this peek at the interior again!

    1. If I am correctly understanding what you are describing as “pieces of lace on tree branches,” those are places where the surface of the photographic print have been torn away. You’re just seeing the ripped paper beneath the photo. The two major tears like that are close to the right edge of the photo near the middle, and toward the upper left corner above the piano. You can see other tears also, that go through the paper rather than across the surface. This photo has had a hard life.

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